
The other great threat (also familiar from
classical mythology) is the non-sexual female in an extreme form: the Amazon,
the woman who acts like a man. The posters represent such women with a
countervailing duality, on the one hand operating in the male realms of
fighting and warfare yet with an ultimately reassuring physical vulnerability. On
the left the Amazon (or Gladiatrix) - the terms are interchangeable for the
producers of this film - raises her sword to strike in a pose which exactly
mirrors male fighters we have seen, while the woman on the right is trapped and
vulnerable, her back exposed to arrows. In the poster on the right, at the top
there are hordes of ferocious armed women on horseback or, as the poster says
titillatingly, "a thousand tempting beauties; they fought like ten thousand
unchained tigers,"; while the main image has the Amazon grappling with Louis
Jourdan. Note the faint visual evocation of the single‑breasted classical
Amazon through the dress off the right shoulder. The hairstyle also reinforces
her identity and connotes her defeminized character. The women in the
sword-and-sandal movies always have long, luxurious hair, and their hairstyles
are often elaborate: indeed, the more elaborate the hairstyle the more sexually
dangerous the woman. But here the Amazon has, fittingly, a kind of modern "bob":
a no-nonsense, manageable style for the working woman. And this, I think, is
how she was meant to be read: this is the threat of the modern woman come to
life - the woman who rejects her female role, has a job and, so, acts like a
man.